Friday, November 21, 2014

INTRODUCTION


INTRODUCTION

WRITTEN BY ALONNA KILPATRICK

 

PERSON ONE:

Welcome, welcome ladies and gentlemen!

 

PERSON TWO:

We have quite the show for you tonight!

 

PERSON ONE:

If you haven’t already, take your seats,

 

PERSON TWO:

Because you’ll be sitting on the edge of them the whole night

 

PERSON ONE:

Please, no talking during the performance,

 

PERSON TWO:

We’ll be doing all of that for you.

 

PERSON ONE:

There will be a ten minute intermission in the middle of the show tonight,

 

PERSON TWO:

So that you all have plenty of time to gather the socks that have been knocked off your feet by the extraordinary talent of our cast.

 

PERSON ONE:

Thank you all so much for being here.

 

PERSON TWO:

We hope that you agree it was worth five bucks to attend.

 

PERSON ONE:

And if you don’t

 

PERSON TWO:

All sales are final.

 

PERSON ONE:

So without further ado

 

PERSON TWO:

We present to you

 

BOTH:

An Ensemble of Theatre

 

END

Monday, November 17, 2014

Divine Intervention

DIVINE INTERVENTION
WRITTEN BY ALONNA KILPATRICK


[VIOLET is browsing inside a music store. ETHAN is in the aisle behind her. Her back is turned to him so that she can't see that he is staring at her. He makes a big production of getting himself ready and then walks over to the next aisle and taps her shoulder.]

ETHAN:
Hi.


VIOLET:
Hi.


[Beat.]

ETHAN:
I, uh... (He points to the CD she is holding in her hand.) That's a good one.


VIOLET:
(Holding up the CD and examining the cover with distaste.) I actually really, really hate the Red Hot Chili Peppers. I'm getting this for my girlfriend. It's her birthday tomorrow.


ETHAN:
Girlfriend?


VIOLET:
Yeah. Girlfriend.


NARRATOR:
(From offstage) Stop!


[ETHAN and VIOLET freeze as if paralyzed. The NARRATOR walks onstage, frustrated.]


NARRATOR:
She's gay? Well, that's not going to make for a very good story... Let's rewind this little intro and change some things up...

[The NARRATOR steps over to VIOLET and ETHAN and makes motions as if adjusting them. The NARRATOR is then satisfied and walks off the stage. From offstage, she calls--]

NARRATOR:
Play!

[ETHAN and VIOLET  move again.]

ETHAN:
I, uh... (He points to the CD she is holding in her hand.) That's a good one.


VIOLET:
(Holding up the CD and examining the cover with distaste.) I actually really, really hate the Red Hot Chili Peppers. I'm getting this for my boyfriend. It's his birthday tomorrow.


ETHAN:
Boyfriend?


NARRATOR:
(From offstage.) Stop!


[ETHAN and VIOLET freeze.]

NARRATOR:
(Still from offstage.) There was no point in making her straight if she wasn't single! What kind of romantic comedy is this? Replay!

[ETHAN and VIOLET move again.]

ETHAN:
I, uh... (He points to the CD she is holding in her hand.) That's a good one.


VIOLET:
(Holding up the CD and examining the cover with distaste.) You think so? I've never really cared much for the Chili Peppers. I just like this one guitar part in "Give It Away". Need something to practice this weekend.


ETHAN:
Oh, you play the guitar?


VIOLET:
Electric.


ETHAN:
Sweet. I play the drums for a really shitty garage band that thinks we're going to be famous one day.


VIOLET:
And you don't?


ETHAN:
I've always been more of a realist.


VIOLET:
Sounds like pessimism to me.


NARRATOR:
(From offstage.) Stop!

[ETHAN and VIOLET freeze.]

NARRATOR:
(Still from offstage.) What is she trying to do? Pick a fight with a total stranger in the middle of a store? Maybe it would help if she were holding a different CD...

[NARRATOR walks onstage, takes the CD out of VIOLET'S hand, and replaces it with a different one from the rack in front of them.]

NARRATOR:
Alright, let's try this again. (Walks offstage.) Replay!

[ETHAN and VIOLET move again.]

ETHAN:
(Pointing to the CD VIOLET is holding in her hand.) What's that?


VIOLET:
(Holding it up.) Led Zeppelin.


ETHAN:
Never heard of them.


NARRATOR:
(From offstage.) Stop! For the love of sweet baby jesus, please stop!

[ETHAN and VIOLET freeze. NARRATOR walks onstage.]

NARRATOR:
(Mocking ETHAN.) "Never heard of them"? This kid is in a CD shop and he's never heard of Led Zeppelin? (Turning to VIOLET.) Oh, honey, I feel sorry for you. But the show must go on. I just need to fix some things first...

[NARRATOR smacks ETHAN across the face.]

NARRATOR:
There. That should do it. (Walks offstage.) Replay!

[ETHAN and VIOLET move again.]

ETHAN:
(Pointing at the CD she is holding.) What's that?


VIOLET:
(Holding it up.) Led Zeppelin.


ETHAN:
Ooh, classic. You know, they say Jimmy Page sold his soul to the devil.


VIOLET:
Uh, yeah. Every Zeppelin fan has heard that.


NARRATOR:
(From offstage.) Stop!

[ETHAN and VIOLET freeze. NARRATOR walks onstage.]

NARRATOR:
(To VIOLET.) You really felt the need to say that? The boy was just trying to make some conversation. You really didn't have to shoot him down like that. Look at him. (Gestures towards ETHAN.) Does he look like the type that knows how to flirt to you? He's trying his best. You're honestly trying to make my job harder than it already is, aren't you? Here--

[NARRATOR uses fingers to pull VIOLET'S mouth into a smile.]

NARRATOR:
Now, let's see where that gets us. (Walks offstage.) Replay!

[ETHAN and VIOLET move again.]

ETHAN:
Ooh, classic. You know, they say Jimmy Page sold his soul to the devil.


VIOLET:
I'd believe that.

[Beat.]

ETHAN:
Maybe we could take that CD back to my place and--


VIOLET:
Woah, woah! Slow your role there, Romeo!


ETHAN:
Wha--what? Did I say something wrong or--


VIOLET:
Look, I'm sure you're a nice guy and all, but I don't even know you're name! I'm not going to go home with a complete stranger. You do know what part of town we live in, right?


ETHAN:
UH, yeah, I just-- You're really pretty and I thought--


NARRATOR:
(From offstage.) Stop! Stop it!

[ETHAN and VIOLET freeze. NARRATOR walks onstage.]

NARRATOR:
(To VIOLET.) Okay, chicky. You are really giving me a hard time here. I think it's about time we tried a different approach.

[The NARRATOR drags VIOLET offstage and returns with a guy, frozen. The NARRATOR sets the guy where VIOLET was just standing and then gives him the Led Zeppelin CD. NARRATOR walks offstage.]

NARRATOR:
(From offstage.) Let's take this from the top, people!

[ETHAN and the guy move again.]

ETHAN:
Hi, I'm Ethan.


THOMAS:
Thomas.


ETHAN:
(Pointing to the CD in THOMAS'S hand.) What's that?


THOMAS:
(Holding it up.) Led Zeppelin.


ETHAN:
Sweet.


THOMAS:
Yeah, I've been looking all over town for this album. It's the only one I don't have. Or, I guess, didn't have.


ETHAN:
Yeah, that one's my favorite.


THOMAS:
You a classic rock fan?


ETHAN:
Unfortunately. Not a lot of people left who are.


THOMAS:
I hear that.


ETHAN:
Not a lot of people left who still buy CDs either.


THOMAS:
They're the only way I buy my music.


ETHAN:
Same here. Something about CDs, when you play it, it just sounds... better.

[Beat.]

THOMAS:
You know, there's a Nirvana tribute concert tonight downtown. You got any plans?


ETHAN:
None that sound better than that.


THOMAS:
(In an exaggeratedly gentleman-like voice.) Would you care to be my date, sir?


ETHAN:
(In the same exaggeratedly gentleman-like voice.) Why, I'd be delighted.


THOMAS:
Here-- (Pulls out a scrap piece of paper from his coat pocket along with a pen and starts scribbling on it, using the CD as a hard surface. When he is finished, he hands the paper to ETHAN.) Call me around eight. I can pick you up.


ETHAN:
Sounds great.

[THOMAS smiles and then walks offstage, ETHAN smiles at the scrap of paper he is holding.]

NARRATOR:
(From offstage.) Stop!

[ETHAN freezes. NARRATOR walks onstage and takes the scrap of paper from ETHAN and holds it up to the light to examine it.]

NARRATOR:
Would you look at that! Guess that girl just wasn't you're type, huh?

[The NARRATOR returns the scrap of paper to ETHAN.]

NARRATOR:
(Turning to the audience.) I apologize for all of the difficulty, folks. Hopefully you all had a good time anyway. Have a good night, ladies and gentlemen, and drive safe!

[Lights fade to black.]


END OF PLAY


Skit Scripts

For those of you who are planning on participating in the play that I am putting together, An Ensemble of Theater, you will be able to find the scripts for the various skits on this website. if you are already a verified actor or actress in the play, just leave a comment if you come across a script with a character that you would like to play. This will make things a lot easier for all of us. Thanks.

Friday, September 5, 2014

Untitled

When father's daughters run away
They are seldom found
And none return
For daddy-dear
Because daddy's not around

The teddy bears are thrown away
Or traded in for guns
The real world isn't daddy's arms
And bad girls chase the sun

Summer dresses make good rope
And high heels can be sharp
Daddy's girl has crossed the line
And broke her daddy's heart

Untitled

What goes on outside if church
The priest, he doesn't know
With hands over ears
And eyes squeezed shut
His mind stays close to home

His daughter stays out late at night
With smokers, thugs, and thieves
She breathes real air
And thinks real thoughts
And runs from the police

"Oh, father, dear!" She cries at night
"I've just been out to church!
The service ends
At three A.M.
'Til then, I'm hard at work!"

He smiles at daughter, pats her head,
And says that he is proud
Then daughter leaves
To roam the streets
Where everything's allowed

Untitled

Rebecca Olson
Left her man
And swam down towards the sky
She left her shoes back on the shore 
Where wilted daisies lie

She left behind her vocal chords
And forgot to bring her shame
That morning when her heart gave out
She knew love was just a game

Untitled

Sister Abby
Bound her wrists
And spoke not for two years
She turned her head
To food and beds
To keep her conscience clear

Her godly work
Pulled at her skin
'Til she was not but bones
Her chamber where
She blessed her soul
Became her eternal home 

Untitled

When mothers aren't mothers
And fathers aren't dads
And they sure as hell aren't "man and wife"
Little sisters become daughters
To the oldest of the bunch
And the oldest is 'mother' for life

Untitled

Christopher Collins
Stayed out too late
And his mom and dad just didn't care
He found who he was
As he passed on a smoke
And he grew out his shaggy, long hair

He had rips in his jeans
And holes in his shoes
And his skin was covered in scars
He like to collect
Broken glass
And sleep in get-away cars

Untitled

The general of the king's army
Sleeps too sound at night
He's seen a baby lose his mom
With one swift move of a knife

He's witnessed men walk into fire
Just at his command
He's watched a thief hang from the gallows
For something stolen not by his hand

He's looked right on as bullets pierced 
Body after body after soul
And didn't blink a single time
As blood oozed from the holes

But he tucks his daughter in at night
And kisses the top of her head
He hangs his coat up on the wall
And goes right off to bed

Skinny dipping

   We lay side-by-side on the cool grass, splayed out on our backs, holding hands so that we don't fall into the yawning abyss of the night sky. The fireflies are our own enchanted lanterns, bobbing in the sea hanging above our bodies. 
   The humidity is a seat belt holding us to the earth. 
   I let go of your hand and I kick off from the ground, swimming out into the atmosphere. I grab a handful of stars and fashion them into rope. I toss one end down to you and you climb up towards the ocean of air. 
   We paddle out to the moon and it cradles us as we nestle into it's curves, looking down at the earth as if it were the night sky. 

Untitled

Little susy
Clipped her wings
And stomped them in the ground
She walked away
And left them there
Both feet on the ground

Sister Mary 
Cut out her tongue
And tossed it to the waves
For words are evil
Words hold sin
So she threw all hers away

Old man Richard
Closed his eyes
And sewed both of them shut
He'd seen the world
And all it's jokes
And claimed he'd seen enough

The priest, the father
Washed his hands
And dried them on his robes
He'd burned his books
And drank the ash
So now he knows all God knows

Friday, August 22, 2014

New project

   The world is a churning metal box and a flashing red light. 
   Your body is limp and you feel your skull crack against several cold and hard surfaces. Your vision quakes and your head wobbles atop your flimsy neck. 
   Your skeleton vibrates and your senses are assaulted with high-pitched ringing and a demanding odor of exhaust fumes. Your lungs simply refuse to work. Your mouth opens and closes but oxygen fails to go in or out. 
   Once more your head slams against the malaphyriphic wall and your eyes close. They close but you blink. You open them wide but only darkness stretches in front of you. Your fingers shakily rise to your face and you prod your open eye. You don't see your hand. 
   The next thing to go are the sirens. They are quickly replaced by an incessant ringing. Still the smoke crawls up through your nostrils and scrapes the inside of your throat, raw. Your body is still seizing but all you can do is lay back and convulse.

   Now the world is black and silent. 
   Your ears ring just so that your mind can register some kind of noise. Your mouth is filled with a warm, salty liquid and you let it dribble from between your slightly parted lips. You try to sit up, but without your sight, you can't be sure if you're actually moving at all. 
   The ground beneath you shifts with the deafening sound of metal scraping against itself. A shaft of light slaps you in the face and you raise your arms to your eyes in protest. 
   Your vision focuses on your arm. Your flesh is green. 
   You blink. 
   Your flesh is blue. 
   You try to gasp but only a wheeze escapes your lips once you part them. You crawl backwards on your hands and feet as if you could physically run away from what you just witnessed. 
   The metal shifts again and the light is gone. You're left alone in the engulfing darkness, gasping, clutching your hands to your chest. 
   
   At some point you must have passed out from lack of oxygen because you find yourself waking someplace cold and wet. There is just enough light to make out the silhouette of your hand in front of your face. 
You are light headed and cannot bring yourself to stand up. A hollow groan escapes your chapped lips. A drop of water lands on the bridge of your nose and rolls down into your open eye. It burns like hell but you haven't got the motivation to blink.

And so you lay with your back on the ground, your clothes soaked through with the icy moisture that pools around your stationary frame, staring unblinkingly at the ceiling above you.
The scent of roasting flesh crawls into your nostrils and leaves behind a bad taste in the back of your throat.

You track the time with your breathing. Two seconds to inhale and two to let it out, shaky but reliable. Two minutes, five hours, eight days.
Or maybe just half an hour.
No matter how long its been, you still can't see a thing and you haven't moved an inch. Not even your thoughts go anywhere.
Its when you've finally decided to get up that a door opens and your entire body is smacked with the hand of light.
Heavy footsteps.
You're dragged to your feet and slammed against a wall while a buzzing razor flies around your head. You're released and you let your body crumple to the ground.
Heavy footsteps.
The door shuts and the light is gone.
You blink and then bring your hands to the top of your head. Your fingers graze the uneven stubble and patches of lengthy hair in hard to reach places, like behind your ears. You know that your scalp is bleeding because when you touch your fingertips to the tip of your tongue, you taste metal.

You lean back against the wall, plucking stray hairs. You wrestle your poor excuse for a shirt off of your frame and press the fabric to your shredded scalp. When you're finished, you feel the cloth with your fingers and determine that it is too wet to adorn any longer.
A few times, a light flickers on for a split second and your surroundings are flashed before your foggy eyes. Only one word registers:
Grey.
Chunks of hair clump together in the pools of blood to your left. You prod the sticky mixture with your finger. Occasionally, the hair brushes against your calf and makes your skin itch. You scrape your fingernails along your leg, lazily.

   For lack of anything else productive to do, you stand, dragging your palms against the uneven wall to your side as you walk. There are four. Each of them stretch about ten feet long. There is a door carved into the one to your right. 
   Using your high-school-graduate knowledge, you figure that this room is about forty square feet. There is an empty bucket stationed in the center of the room. There is a nest of rats in the far left corner. 
   Notes to self:
   Rats are easily agitated. 
   Sharp teeth. 
   Livid determination. 

   What gets to you isn't the solitude. You find solace in it. It isn't the lack of sight or the constant goosebumps that leave your skin sore. 
   It's the fact that if you sit there, perfectly still, perfectly silent, and you somehow manage to tune out the irregular beating of your heart, you can hear footsteps. You can hear screaming. But no one comes to your door. 

   And as much time as you wasted imagining and longing for the light, for a single lungful of air that doesn't taste of urine, when you're dragged by the back of your neck, out of your cell, all that you want is your solitude. 
   You're blind. 
   The light reaches into your eyes and rips them from their sockets. You stumble forward, being pulled onward to a new environment. 
   It smells of rotting meat and bleach. It's cold. It's cold and you wish that you had a shirt. 
   Eventually your body collapses to the hard tile and your tour guide has no choice but to literally pull you across the floor. You claw at the ground, desperately trying to go back to your planet of dark and stillness. 
   You hear the creaking of a door and you are thrown through a threshold. You hit the floor, back first, skidding a ways, causing the skin on your shoulder blades to be peeled off. 
   The door closes. 
   You peer through your fingers until the light no longer beckons moans from your lips. 
   You look to your right. 
   Moldy walls. 
   You look to your left. 
   More of the same. 
   You turn and look behind you. 
   A heavily bolted door. 
   Straight ahead: a dirty man folded in on himself, his face buried in his knees. 
   There are scars on the top of his naked head and a shawl clings to his frame. His skin is tan and wrinkled, like worn leather. 
   His back rises and falls in a steady rhythm, but not slow enough for him to be asleep. 
   Your own breathing is shallow and plagued with hiccups. Your eyes itch and your body surrenders to it's tremors. 
   Suddenly, your unsteady breaths are interrupted by a warm syrup climbing up your throat. You fall forward on your hands and knees and retch, your back arching as blood spills over your lips and pools onto the floor. 
   You cough and splutter until bile no longer dribbles from your mouth. You try to regain some composure, but choke on remnants still desperate to cut off your airways. 
   The man looks up from his arms to peer at you. He remains silent, watching you fight for air. You hold his frosty gaze as you heave and clutch at your burning chest. 
   Your coughing subsides and the two of you stare at one another, listening to your jagged breathing. 
   "Sam." 
   The word cuts trough the air like the bark of a dog and with the intensity of dwindling time. His upper lip is bordered by wiry facial hair that quivers when he exhales. 
   "I beg your pardon?" Your voice is weak and strained, having not been utilized in weeks, as far as you know. 
   "Sam." He says again. 
   "Bobby."
   "Pleasure to meet you, Bobby." He nods in your direction, a gesture of respect. 
   "The pleasure is all mine."
   He grunts. 
   You fumble for words to prolong the out-of-place pleasantries. How odd, how ORDINARY, to exchange these stiff words of greeting in such a place, such a prison!
   "If you don't mind my asking, have you the foggiest as to where we might be?"
   He stares at you, huffing and pressing one palm to your chest, the other occupied with holding you up. He wiggles his mustache at you and spits on the floor to his right. 
   "Yes, sir, I have." He says. 
   "And that is?"
   "Hell."
   He sits back against the wall and folds his arms loosely over his chest, comfortably. He never breaks eye contact with you and you haven't got the courage to rip your gaze from his. 
   He says no more for several minutes.  

"Navy?" He asks.
"Air Force."
"Same here."
Silence.
"You crash?"
"Yeah," You say, "Did you?"
"Nah. They surrounded me with their own planes and gave me a choice: land, or they'd shoot me down."
"So you landed?"
"I'm here, ain't I?"
"Yes, sir."
"So I landed."
He takes a deep breath and lets it out through pursed lips.
You swipe the blood off your chin with the back of your hand. You lock eyes with the leathery man that doesn't fit his name. His eyes are the kind of grey that could be mistaken for blue if he were smiling.
But he isn't.
His eyes just add to the tension of the hard expression on his face--cold and steely.
His eyebrows are thick and bushy, strongly resembling his mustache. His forehead is creased in layers and his face has a strange, squarish shape. His lips are as thin as they are dark. Laugh lines streak his face, souvenirs from a happy life he left behind.
"Is this some kind of prison?" you ask, needing to fill the silence that has been pressing in on your chest.
"Prison?" He laughs, a short, sharp noise. "We aren't that lucky, kid."
He laughs again, this time louder.
"Then where are we?" You ask after he's finished.
"This," he gestures to the space around him, "is a concentration camp."

"We're going to die." It's a question, but it leaves your mouth as a statement, since you already know the answer.
"Yep."
"And you're okay with this?"
"Well panicking isn't going to do me any good, is it?"
"I suppose not, but--"
"But nothing, kid. There's not a thing we can do while we're cooped up in here."
"You have a plan for when they let us out, then."
"No."
You stare at him.
"You have any idea how many men are out there, Bobby?"
Silence.
"'Coarse not, they drug your ass in while you were still out, cold."
Silence.
"How many?" You ask.
"How many what?"
"How many men?"
He considers your question for a few moments, twitching his mustache.
"Ten Thousand."
"Ten thousand?"
"At least."
"Good God!"
"Is he really that good?"
You pause.
"Who?"
"God."
You say nothing.
"He's the one who got us where we are, ain't he? He put us right here in this camp. That doesn't sound very merciful to me."
Silence.
"I'm sure there are other people with greater needs--"
"What's the greatest need to you right now, Bobby?"
"To get the hell out of here."
"And do anyone else's needs concern you?"
"Not particularly, but--"
"Then your's is the greatest need to you." He blinks.
Silence.
"God, ain't coming to the rescue, kid."
Silence.
"You don't believe in God, do you?" you ask.
"Never have."
"Why?"
"Excuse me?"
"Why don't you believe in God?"
His expression hardens.
"That just ain't right, kid." He shakes his head. "Do people go around asking you why you DO believe in God?"
"No, I suppose they don't."
"Then what makes you think that its proper etiquette to ask me, a total stranger, why I don't?"
Silence.
"I don't believe I have the right, sir."
He grunts. 

Fourth set of monologues

Monologue #1:
Me and Daisy always used to go out in that field. When the summers were humid and the winters were chilling. But we always went to that field.
She would pick those wildflowers back there and tie their stems together. She'd make me stacks and stacks of crowns and necklaces and I would wear every single one at the same time because she would tell me I smelled like freedom.
She would yank up her skirts to her knees and just run--Lord, she would run. Her hair would fly out behind her like a silky golden cape.
And right here--under this tree, here--is where she took her last breath. And do you know what the last thing that she said to me was? She said, "Where are those flowers, Jonny?"
Monologue #2:
In the summers, we would swim.
We'd swim in our ripped jeans and our see-through tee-shirts. Our feet were bare, but then again, they always were.
And she always liked to swim to the very bottom. She told me it was like flying. That was where she felt the most at peace.
So when she dove to the bottom that last summer, and got her hair caught in the rocks and the sticks, she got to stay at peace forever.

Monologue #3:
She liked to take me out in the woods at night. The stars were so much brighter there than they were in the city. Each one reminded me of that sparkle in her eyes.
And the moon would come out just to shine its light on her beautiful face. She would lay down on her back, sprawled out in the grass, look over at me, and grin with the moon lighting up her smile.
But she liked to explore too much. Sometimes she would tell me to close my eyes and count to ten and when I would open them, she would be gone.
It was always fun for her, a thrilling game of hide-and-seek. But i guess I didn't find her quick enough that last time.
I found her laying on her back, sprawled out in the grass, looking over at me with the moon shining down on her beautiful face. But her eyes just didn't have that sparkle that the stars did and she wasn't smiling.
And her heart wasn't beating.

Wednesday, August 20, 2014

Island

Island
"I don't get it."
You look over at him. His head is tilted upwards, his mind trying to solve a puzzle that isn't there. The sunlight beats down on his features in patches, the leaves above you trying their hardest to shade.
"What's not to get?"
His eyebrows crease and he turns to face you.
"You talk about this place like its some kind of wonderland, a paradise. Some island in your ocean that you've been drowning in for years."
"Yeah?"
"I'm sorry, but this is a mound of dirt."
"Caleb."
You reach over and take his hand. He looks at you apologetically.
"Caleb, you aren't looking."
"Then what am I doing?"
"You're thinking."
"So?"
You adjust yourself so that you are facing him. You lean forward and cover his eyes with your hands.
"Now, stop thinking." You say.
"I can't see. I thought you wanted me to see."
"Shut up. You're thinking again."
"Fine."
"Keep your eyes closed."
You take your hands from his eyes and place his palms on your chest. You cover his hands with your own.
"Focus on my heart beating."
He starts to speak but you cut him off.
"And don't say anything."
The two of you sit there in silence until you feel your eyes drifting closed.
"You can open your eyes now."
You watch his pupils dilate as the rays of pale light float down to his amber eyes. He looks up at the towering leaves and then back down at the flowers tickling his ankles. 
Finally, his eyes find their way back to yours.
"Wow."
"I know."
He tears his gaze from yours and looks back up at the sky.

Brochure piece

This week I got my first professional writing job. My assignment was to create an advertisement for an underground painter who doesn't speak fluent English. Here's the final product: 

Painting has been a passion of mine ever since I was a child. At first it was the only way I could effectively display my emotions and tell the story of who I was, but as time went by, it only left me empty. I realized that a story's only purpose is to be shared, and without an audience, it was useless. I wanted my work to connect with people the way that my words couldn't. I wanted it to reach out and prod people's emotions.
I begin each series of paintings with a piece of my story. The sources of my inspiration range from sights and sounds that I have personally experienced to things that my mind has conjured up during times of my own silence. I deconstruct the subject and lay the essentials out before me--light, color, tone, movements, and textures. Each canvas is transformed by simple brush strokes of ingenuity. The final product is a reflection of my true self and outlook on life.
Consumed with intoxicating colors, textures, and wistful variations of reality, my work expresses my passion for life and love of the artistic medium. Each piece is a holding chamber of overwhelming power and emotion that demands the attention of the viewer-- draws them in deeper than the surface of the canvas and into the feelings that guided my brush as I created it. The art has become an unyielding mirror of myself and my beliefs. 
Painting is my true language and it is the only thing that allows me the freedom to express my ideas, thoughts, and emotions. This new collection of paintings is inspired by the life that exists all around us. I have attempted to breakdown a place or a moment to its visual essentials. I have used these existing places as a gateway to my own universe and interpretation of what I see.
Some of my most recent pieces are represented full time by The Northshore Gallery of Contemporary Art in Chattanooga. My previous work was shown at the AVA Hunter Museum Underground Event, Art.a.ama.jig, Emporium of Knoxville, Winter Street Studio in Houston Texas, and an Arts Gallery in Montreal, Canada. 
I believe that everyone leaves a footprint in our daily lives. This is what I want to capture in my work. Painting is my speech, my playground, and my own reality. Thank you for letting me share this with you.

Third set of monologues

Monologue #1
   When I read a book, I couldn't care less what it's about. The only thing that I'm interested in are the characters. Their personalities, the way they interact with one another, and especially the way that they think. 
   What makes people interesting isn't how they dress, or they talk, or the way they look. What makes people fascinating are the differences in their brain. How one person can see something and say that it's orange and another person say that it's red. 
   Who people hang around says a lot about them. I'm sure that you've heard this before but it's absolutely subconscious to that person, if you think about it. You can tell what that person likes and how they prefer to be treated. 
   People are just amazing. Don't ever forget that. 


Monologue #2
   Very few people write. That's because they're scared to. Writing forces you to look right at yourself and ask, "who are you?"  A lot of people are scared of the answer to that question. I know I was. 
   It probably doesn't make a lot of sense to you for me to already know who I am at such a young age. I've been writing for seven years. That's half of my existence. That's a lot of time to ask questions. 
   And if you're locked in your head long enough with these questions, eventually you start to take the time to figure out the answers. 
   I know who I am. But I haven't got the slightest clue how to tell you. 


Monologue #3
   The ink stains on the side of my hand tells you that I write. But what it doesn't tell you is that some nights I will stay up until the crack of dawn, writing and rewriting until I know that I've done the best that I can do. It doesn't tell you that at the end of the day, my fingers bleed and blister from the constant movement of my pen. 
   The blank expression on my face tells you that I'm not here. But what it doesn't tell you is that I'm stuck somewhere in the past, under the whip of my father or hiding in the closet with my little sister until he stops beating on the door. 
   The scars in my body tell you that I have a blade. But what they don't tell you is that it's been four years since I haven't cried myself to sleep. That the people around me don't pay enough attention to notice them or don't care enough to confront me about them. 

Second set of monologues

Monologue #1
   I used to have my life all planned out, you know? But I've realized that my brain is a fragile spiderweb of codependent thoughts. One thread broke and now the whole thing hangs limp from the inside of my head. 
   There is one thing that I still know. I want to write. I want to wake up every morning with words on my fingertips and go to bed every night with ink stains on the side of my hand. 
   I want a room where the walls are made up of bookshelves and all of my favorite novels will have their own special place. 
   I want an apartment on the bad side of town where your shoes get dirty every time you step out the door and dogs wander the streets like jungle cats. 
   Here's what I don't know: who do I want to spend this dream with? I used to know. But that string has broken too. 


Monologue #2
   My room is made up of three things: paper, ink, and crystals. 
   These are the things that I simply cannot live without. They are who I am. My bones are made of paper. My tongue is laced with ink. My eyes are crafted from crystals. 
   The words that are said to me throughout the day fly at me and stick to my bones of paper. 
   My thoughts that I speak aloud aloud soar through the air as ink droplets and stain the skin of those around me. 
   The light shining through the trees is refracted through my eyes of crystal and the speckles of brightness dance among the leaves. 


Monologue #3
   Have you ever wanted something so much that you had actually convinced yourself that you could get it just by wanting it bad enough?
   That it felt like it was attainable by sheer force of will?
   I'd like to think that's actually possible. If it were, it'd give a lot of people a lot of hope. And everyone deserves hope. 
   That's how I get my hope. I just keep telling myself that if I want him bad enough, he'll want me back. 
   

First set of monologues

This year I have been fortunate enough to be enrolled into a play writing class. Everytime that class meets, we must turn in three monologues so I thought that I would post them to get a bit of feedback. (Keep in mind that these are my first attempts at writing monologues) 

Monologue #1:
Letting people in isn't really my forte. So I kind of cheat out of it. I'll tell one person a story but then change it around when I tell it to someone else. It's some kind of sick guessing game.
So here's the truth: I don't know who I am or what most of my story is. I'm told that the first few years were the worst of it, but that's all a blur. But it sure sounds like hell.
Long story short, my dad was a major illegal druggie that introduced my mom to rock and roll--or as we call it at home, "good music"--and knocked her up. Three months prior to my birth, my dad got the heck out of dodge. 
So my mom scrapes us up a living by working three waitressing jobs and busting her ass in school. Meanwhile, I spent the majority of the first few years of my life in a daycare where i was raped by a member of the staff on a regular basis until I was six.
Dead-beat dad tries to worm his way back into my life with court orders and false accusations against my mother, and it works for a few years. Just this year I stood up to him and told him to piss off. He hasn't called me since. If it ain't broke, don't fix it.
So here I am now, living relatively comfortably with my mother (who is a licensed therapist), my second step-dad (whose not the best, but certainly better than my first two father figures), and my six-year-old blind, autistic little brother.
Don't even talk to me about stress.


Monologue #2:
  I'll give you three guesses at my name because I know that somewhere deep inside you, you know who I am.
was the kid that sat at the back of the class and stayed the hell out of the way. If you didn't ask me a 'yes' or 'no' question, then you weren't going to hear a peep out of me.
I was the kid that opened the door for one person and ended up having to hold it for ten minutes as people rushed to take advantage of a small convenience. I was too much of a push over to say 'no' and go inside.
I was the kid that spent the whole bus ride staring unblinkingly out the window while you talked to your friends.
So tell me, what's my name? Or did you even take the time to ask me in the first place?


Monologue #3:
I created life today.
And yesterday, and the day before that, and so on since I was seven years old. Because this is what you do when you're shut up in your head all day: you make people.
I'm not talking about imaginary friends. No, that's for amateurs/ I constructed a living, breathing, thinking, feeling human being by dragging an ink pen across a piece of paper and making letter after word after page.
They're so charismatic!--that;s how I know that they're their own people and not just myself with a different name. I giggle at their banter with one another. I cry when one of them passes away. I don't create their story or their personalities, I simply write them. There's no game-of-chance involved.
When I pick up my pen--and yes, it is always a pen--they tell me their stories. They want to be heard. They beg me to write out their life so that they can be remembered. What can I say? I've always been a people-pleaser. 
I wonder sometimes if they feel stuck on the paper when I write them out. They tell me it's the best freedom they've ever felt. They're trapped inside the ink of my pen until I write them out.
Won't you please read their stories? They've waited so long to be acknowledged. I can only write so much and even then i hear them sobbing inside of my pens.
They are very gracious. You see, their way of thanking me is to shed some of their ink onto the side of my hand when I write them. That way, I know what good I have done, and I am able to keep their stories on my skin.
  

Wednesday, July 9, 2014

Goodnight

You're the only angel I believe in
The only way to heaven is to kiss your lips
The afterlife smells like your skin
And I watch your speech as it drips
From your mouth when your slurring your speech 
Because it's three in the morning and I won't let you sleep 
Your eyes are my favorite gem stone
And I feel your heart beat vibrate through my every bone
When you press your chest to mine
And we're the only time
All I want to do
Is press myself into you
Because you know my skin is glue
And that yours becomes glue too
You like to look into my eyes
That's when I show you my soul
That's when I truly feel whole
That's when I show you my soul
We're sleepy and I play with your hair
Your chest rises and falls
As it filters the air
I kiss your cheek and roll to my side
I roll to my side
And I listen to your lips
Whisper your dreams into my ear
Goodnight

Untitled

I can't even put my life into a poem anymore
The constant twists and turns
Won't fit into a stanza of any length
And all of this chaos
Refuses to be contained into meters and words
And instead it swirls in my mind
Reeking havoc in the confined space of my tiny existence 
So what the fuck do I do
When the only thing I know how to
Is write poetry
And scream into the void of humanity?
I used to be able to bend metaphors and phrases
Like thin, green daisy stems
But my blossoms have recently charred from the sun that is my impatient longings
And they turn to ash in my pale fingers
I used to be a visionary
The one soul that wasn't programmed to serve society
And now I don't know what I am
I guess now I'm just another human
Stumbling through life
And bumping into other meaningless bodies
On the street
Like a hunk of flesh that's only objective
Is to keep going
Even if there's nothing at the end of the road
All I've ever wanted to do was lead a revolution
And now I can't even bring myself to give my opinion
I hate being alive 
Because I'm not even living
And instead of being distraught that my time is running out
I'm desperate for the clock to put something on my plate
That isn't leftovers 
I've never been good at puzzles
And all of these jagged pieces before me,
These shattered remains of what I've come to call a life,
Cut me when I try to pick them up
When I try to make some sort of a picture out of them
My fingers are covered in scars
And I haven't even connected two pieces 
It's hard to feel anything 
After being thawed out of the ice
That I've been frozen inside for so long
If this is the real word
Then I want to go back to whatever dream I was living in
Because I obviously don't fit in here

Tuesday, June 17, 2014

My little brother

You can put a lot in perspective 
When one of the closest persons to you
Can't see
Can't talk
Can't handle how he feels
So when he first came into the world
And I was only eight years old
I would shut my eyes
Shut my mouth
And make myself cry
To see what life was like for my little brother

He's walking now
He can say a few things
And he drags a laugh
Out of my weary body
Every now and again

I'm his savior
His best friend
And he runs to me when our parents are screaming at each other
And asks me to sing to him
And I do
And I always will
Because he's my baby
Even if I'm not his mother 

Saying hello to myself

I found who I was
While I watched ghosts walk through our new apartments
And when I learned to suck in the cigarette smoke 
Instead of holding my breath when it swirled around my face
And made my eyes water
When I realized my father wasn't coming back
And discovered I didn't care for him much anyways

I found myself
While forced onto my back on the floor of a tent
And when I walked through the woods
And saw my soul sitting on the petals of a daisy

I found who I was
While I jumped from school to school
And tweaked my personality
When I was forced to take a beating
And when I discovered how to climb into the pages of a book

I found myself
In the ink of a pen
And when I drank myself to sleep 
And dreamed of what a family would be like

I found who I was
When I first kissed your lips
And let myself be loved

I found myself
In your eyes

Father's Day

Father's Day 

Dear father
On this day I would like to thank you
For showing me I can be independent
By never being there for me when I needed you. 
Because of this
I don't need you at all. 
Thank you
For making me question whether or not
I could actually call you a "father".
Thank you
For showing me everything
That a father shouldn't be. 
Thank you
For leaving me scarred 
And damaged
With trust issues and anxiety disorders.  
Thank you
For making chaos the norm. 
Thank you
For never forming a relationship with me
Because I sure am fucking glad
I never got to know who you really were
When I was a little girl. 
Thank you
For making promises
So I grew up knowing
That everyone lies. 
Thank you
For leaving a hole in me
That I've filled with hatred
Because now
I can dump it right back on you. 
Thank you. 

The perfect shade

You're my favorite shade of nighttime 
When the stars light up the shadows under your eyes
And the moon plays games with your hair
And your eyes are as bright and reflective as the crescent in the sky

When the darkness catches your voice 
And whispers it in my ear from behind me
And your skin feels as soft
As moonbeams in a puddle of rainwater 

When your embrace could be mistaken for a blanket
And your chest for a pillow
And your steady breathing for a comforting bedtime story
As I drift off to dreams of you

My favorite things to wake up to

My favorite things to wake up to
Are sunshine peeking through my blinds
Memories of last nights dream 
And absolute silence

Or if I wake in the dead of night
The stars knocking at my window
Asking me to play
And the shouts of those who live when the world sleeps

But lately I've been dreaming
And hoping and begging
That one morning when I open my eyes
I'll see yours looking right back at me

Monday, June 16, 2014

Kiss me

Kiss me goodnight
And then kiss me good morning
When my eyes are still sleepy
And I just finished snoring

Kiss me hello 
And then kiss me goodbye
When my lips try to hold
You here as I cry 

Kiss me to cheer me up
And then kiss me to slow me down
When my words are a mess
And they've turned up your frown

Kiss me in the dark
And then kiss me in the light
When my skin is too pale
And the sun's in my eyes

Kiss me

Cigarettes at midnight

You can get me higher
Than any buzz I've ever felt
You can knock me off my feet
Like I've had one too many glasses of wine
You can make me more dizzy
Than spinning in circles with my eyes closed
A thousand times
You can make me feel more unstable
Than overdosing
You get my heart beating harder 
Than sneaking out at three A.M. 
And you can clear my mind faster
With your palm on my cheek
Than a cigarette at midnight

Kissing your lips

Kissing your lips 
Is like closing your eyes
On a roller coaster 
Or not holding on
Or looking
On a swing
Or like skydiving 
With your eyes closed
Like falling in a dream
And then waking up
With a start

untitled

I tell the birds 
To quiet their song
So that I can listen to your voice

I shove my artwork 
Out of the way
So that I can see you more clearly

I roll the blankets
Off of us
So that I can feel your skin

I wave away
The perfume
So that I can smell your scent

I am alive

Silence is my loudest cry
Disappearing is my standing out 
Dying is how I live my life
And being honest is how I tell my lies

I am alive 
Not because my heart is beating
Or my blood is pumping
Or my lungs are breathing

I am alive
Not because my organs are working
Or my cuts or bleeding
Or my brain is thinking

I am alive
Because of you
I love you

I measure love in dasies

I measure love in daisies
So I'm about ten daisies tall
And two daisies wide
And you're fifty daisies high 
And ten to the side

Like me

I have to make up new worlds for you
Because you're far too good for this one
It doesn't even come close to your beauty
So I create worlds where you are still the most beautiful thing
But there are other beautiful things around you
Like me 

I have a hard time understanding 
What it means to love
But you don't seem to
So I follow you with my blind trust
And sometimes ask you how you could ever love someone
Like me

You like to create works of art
And restore things to their proper state
You make them as beautiful as you are
So you spend your time going through the trash
And mending hopeless pieces of junk
Like me 

Parabola

If I was in a tree then you would be a ladder
If I was drowning you would be my air
If I was a daisy you would be my sunshine
If I was a fire you would be my flare

If you were in a tree then I would be a ladder
If you were drowning I would be your air
If you were a daisy I would be your sunshine
If you were a fire I would be your flare

I like to fly

I like to fly
And when I do
Seldom do I come down
I sit in my chair
And swing up high
My feet above the ground

I dance in the breeze
And my hair dances too
Rippling in the wind
Just more proof
That I need wings
And not two feet of sin

Everything is blue

You are your own nature
Where up is down
Down is up
And all the way around is a little to the left
Green is yellow
And pink is green
But everything is blue
And it snows in the summer
And the winter brings the harsh sun
Flying takes practice
And you sing to birds
You can taste the color orange
And smell the color purple
But everything is blue
You laugh when you're sad
And cry when you're happy
And get the hiccups when you just don't know what to do
You're awake when you sleep
And alive when you're dead
The color red fills your thoughts
And yellow daisies mix with white snowflakes
But everything is blue

Sing me a song

Sing me a song about riding off into the sunset
Or a song about playing in the sand
Maybe sing me a song about living in a treehouse
But definitely sing me a song

Sing me a song about love lasting forever
Or a song about love not existing at all
Maybe sing me a song about death being the only way to love
But definitely sing me a song

Sing me a song about how much you love my eyes
Or a song about how daisies are my favorite flowers
Maybe sing me a song about dancing in the moonlight
But definitely sing me a song

My favorite stories

My favorite stories that you tell me always begin with sad times and end with me in your arms
But I don't much like stories that I haven't written myself
So I ask you to play me a song on your guitar
And maybe sing for me as you do
Because I don't much like stories that I haven't written myself
And I love to hear you sing

Your eyes

your eyes are a fire pit of fallen autumn leaves in the middle of the night with ashes dancing in the air and landing on my tongue like snowflakes.
your eyes are the sunset with shadows on the ground in front of it, brushing their fingers through the wildflowers.
your eyes are drops of blood in a mound of snow that makes steam rise into the crispy air and spreads its color throughout the ice.
your eyes are my savior that pulled me back to my beating heart when i used to slit my wrists and watch the blood pool on my paper-white skin.

Best friend

youre my best friend and you dont even know it.
you think nothing of it when i tell you that your message saying good morning made me smile.
you dont even blink when i tell you that your grin has risen me from the dead.
but when you hold my hand, my secrets fly out of me and land gently in your other palm where you take care of them and hold them close.
you dont seem to notice how i jump at every opportunity to be with you for even just one moment.
but i love you.
and because youre my best friend, i know that you love me too.

What your eyes do

your eyes can hand me a bouquet of daisies and lightly kiss me on the lips when we say goodbye.
your eyes can whisper things to me across the room without anyone else hearing.
your eyes can tell me jokes and stories that make me smile and cry.
your eyes can show me the future and make me fall in love with what i see.
your eyes can serenade me with songs that cause my lids to flutter shut and my lips to part.
your eyes can tell me that you love me even when i already know that you do. 

What I love about you

I love how water bounces off your skin and makes your eyes smile.
I love how your voice can say two things at once.
I love how your arms are attracted to my skin and how my chin fits perfectly on your shoulder.
I love how your eyes are the color of burning roses at nighttime.
I love how your words paint pictures in the air and dance within them.
I love how your music makes me want to hold you.
I love how your breath makes me feel dizzy and drawn to your lips.
I love how your smile always greets me when our eyes find each other.
I love how my legs fit between yours when we sit side by side.
I love how the thought of you makes my pens dance on paper for hours at a time.
I love how your smile pulls me to your skin.
I love how your promises are never broken and i don't expect them to be.
I love how much faith I have in you.

Friday, June 13, 2014

Each little kiss

Rainy days
Pull me to
The window and the door
Looking out
Getting dressed 
And joining the downpour 

Rain drops kiss
My cold skin
And clings to my frame 
The water
Sinks into
My melancholy haze 

Hourglass

I've turned into an hourglass
That's afraid of time
The sand inside me sifts and churns
While I watch with terrified eyes

I'm constantly counting
And keeping track
I'm tired of numbers
Holding me back

Wednesday, June 11, 2014

Daisy chains

Daisy chains
Wrap around
My ankles to set me free
The blossoms put
My soul at ease
And cease my troubling 

My graceful flowers
Of yellow and white
Make me feel at home
No matter how
Far I've run
Or the distance I have roamed

Their petals do
What pills are for
To my gentle mind
They've been my friend
Since I was small
And they're the only ones who were kind

Untitled

i feel now what solitary means
its far down in my soul
ive dirtied so what another cleans
but find myself alone

theres nothing i can do so why
do i keep dwelling?
there has to be something i can try
to make solitude compelling

how desperate am i
to hear a song
to keep me company
i swear id rather die
than trudge along
in a life not worth living!

the veil is gone; my vision's cleared!
all that i loved has dissapeared!
so why do i keep pulling threads
when i could blissfully be dead?

Untitled

even my punishment has gone
and left me to myself
so whats the point of holding on
and keeping my good health?

i find myself missing
what should have been my pain
instead of dissmissing
it, like anyone would, sane

but here i am, mimicking
what cannot be redone
although its almost sickening
i cant deny, its fun

i understand its purpose now
although its come and gone
so should i pursue what had me down
and prefect this rightful wrong?

Release

ive grown tired of holding back
and being careful of what i do
i knew thered come a day id crack
i just didnt know how long itd been due

Untitled

is this what it feels like to be dead?
just an eternity of nothing?
then i do not want to die
but i dont want to live like im not alive

How on earth could I ever forget a thing like that?

i admit
there are very rare lengths of time
when in my mind
you dont exist
and then
you appear
and i wonder
"how on earth could i ever forget a thing like that?"

sometimes
i go weeks without smiling
i die inside
but live in your arms
and then
i smile
and i wonder
"how on earth could i ever forget a thing like that?"

we go days
without contact
i forget your scent
now you're at arm's length
and then we kiss
and i wonder
"how on earth could i ever forget a thing like that?"

Waste

waste
all i do is waste
my time with you
by wishing for more
my life in youth
by urging the clocks to go faster
my days of rest
by working my fingers to the bone

waste
all i do is waste
my opportunities
by being cautious
my midnight starlight
by sleeping, sound
my breath
by holding it in high hopes

Revolution

  I shuffle awkwardly down the hall, struggling to maintain the grace and elegance expected of me. My steps are carefully placed onto the grey tile in a feeble attempt to avoid tripping over my skirt that drops below my ankles or revealing any skin in the process. What would the people think? What would they say? I pull on my gloves, worn to conceal, an anxious habit. 
  I nervously cast my gaze around the space, careful not to make eye contact with any of the men. What if I distracted them? Got in their way? Heat crawls up my neck, my unbearably tight collar tickling the bottom of my chin and trapping uncomfortable humidity under my clothing. It's getting harder and harder to breathe. 
  Catching my breath is it's own difficulty. The buttons of my shirt run all the way up to the base of my neck, restricting my chest and leaving me prey to rising claustrophobia. My hair wraps itself around my throat, damp with perspiration. I'm prohibited from tying it back. It has to be placed exactly where it is in order to hide any trace of my chest. It does it's job well. 
  A man in a greasy orange polo shoves me as he passes, mumbling obscenities under his breath. I blush, calling a squeaky apology over my shoulder, my hair tightening around my neck as I turn. I restrain myself from gasping for air and I keep my head down. 
  Women around me flash glares my way and wrinkle their noses, publicly shaming me for my foolish mistake. They pull their shawls tighter around themselves. They could easily be mistaken for piles of clothing with a sweaty face balanced atop, painted with a scowl. 
  I tug on my gloves again. When did the words "woman" and "human" become antonyms? When did our main concern become pleasing the society? When did all of this happen, because I would have liked to have been there to make damn sure it didn't end like this. 

Happenstance Narrator: Amalia

Amalia's point of view

   Chapter one: The Drop Off
   You stand, perched on one of the many passenger seats, peering out the round window, now perfectly level with your wide eyes. You let out a breath of utter infatuation with the scene, your small, dark lips forming a plump, pink 'o' as you watch the rays of light sparkle on the surface of the swaying ocean from the dying, orange sun. The beams reach down from the sky and tickle the water, a back and forth teasing of the bodies of endless energy. And to you, that's all that there is: The resigning sun, sinking under the horizon and the vast expanse of shimmering water, surrounding your little boat for as far as you pale blue eyes can see.
   Suddenly, the boat careens to the left, throwing you from the chair and onto the ground. You manage to stifle a cry of shock and slowly crawl into a sitting position, swiping at the strands of your white hair that form a curtain over your eyes. You hear the distant sound of glass shattering on the main deck and you listen to raised voices filled with venom, emptily as you massage your shoulder. You crawl to the back of the dark room, moving in the shadows and you lean your back against one of the cold, grey walls. You drag your knees up to your chest and bury your face into your folded arms. The shouts wipe your mind clear of all thoughts and rendering your body incapable of movement.
   You close your eyes and hold your breath with your cheeks puffed out with air.
   When you open them, you find yourself sitting in a field of wildflowers, and wrinkle your nose as some of the petals reach up and tickle your face. You manage a giggle, wiping tears from your cheeks with the back of your hand. Now, you stand up to get a better view of your new surroundings. The meadow stretches in all directions and you spin through the daisies, taking it all in. A warm smile slowly takes over your features.
   You run as fast as you can in your bare feet through the flowers, spreading your out like a bird and letting a shrill squeal escape through your lips. When your legs are too tired to carry you any farther, you collapse into the cushions of blossoms, sprawling out on your back and looking up at the blue, cloudless sky.
   Then a very, very real scream snaps you back to the dimly lit room, rocking on the waves. You lift your head, registering the cry as one coming from your mother. You sit in the thick silence, stirring each time you hear a burst of sobs or the loud thudding of your father"s feet, advancing. Something roughly smacks up against a wall and your mother cries out again.
   Your frightened, filled with the desire to flee, to finally escape this hell on water. You've been prepared for a while now.

   Your heart protests in your chest, pounding, desperately trying to dissuade you from your task. You ignore it. You fly to the closet and snatch up your ratty backpack thats been eagerly awaiting this moment for as long as it can remember. 

Happenstance Narrator: David

David's point of view
Chapter one: Free Fall

   The world was a spinning metal box of smoke and sirens.
   The endless tremors shook the plane and coursed through your body, making the ability to stand a remarkable feat. The wailing of grinding metal and shrill alarms pierce your ears until the only thing you can hear is an internal ringing. You've been rendered deaf in a dire situation. 

Tuesday, June 10, 2014

Summer Camp

Summer Camp
Written by Alonna Kilpatrick

   Maura lifted her heavy bag off the ground and slung it's handle onto her shoulder, the weight of the bag almost knocking her over. She irritatedly pushed her flat brown hair out of her eyes, and readjusted her glasses. She could hear the other cabin girls' giggles as they watched her struggle. Maura shoved the laughter out of her thoughts and started towards the cabin door.
   As Maura reached for the handle, Madison, one of the cabin girls who lead the taunts, stepped between Maura and the door. Madison put her hands on her hips and swung her bright blonde curls out of her face with the whip of her head.
   "Poor Maura. Do you need any help with your bags, Dear?" Madison cooed, an evil smile spreading ear to ear.
   "Get out of my way, Madison." Maura grumbled. She tried to go around Madison, but she still couldn't get to the door.
   "Well that's not a very nice thing to say to someone who's trying to help you with your bags." Madison wore a fake expression of shock.
   Maura could feel her knees bending under the weight of the bag. She knew she wouldn't be able to support the bundle much longer. If only the camp director didn't have them carry around so many supplies when they played capture the flag.
   Maura had had enough, so she shot out an arm and forced madison out of her way. While madison was checking to see if her hair had gotten messed up, Maura yanked open the door and stormed out.
   "Hey! Where do you think you're going, freak?" Maura could hear Madison's taunts from over her shoulder, but she knew that if she could just make it in sight of the camp director, Madison would pretend to be an innocent angel again.
   Maura forced her legs to pump as she plowed her way down the opening. "Just a few more feet," Maura thought.
   Finally, she could see the camp director. As soon as the director came into view, she could hear the shushing of her other cabin girls to Madison, signalling that they were now in hearing range of the director.
   Maura plopped down her bag and took a seat right in front of the camp diretor, in front of all the other girls that attended the camp, awaiting instructions. Soon after her arrival, Madison and her gang appeared around the corner, and took their seats in the back of the crowd.
   "Alright, let's go ahead and take roll really quick." The camp director pulled out her clipboard with a pen attached to it. "Madison Bail?"
   "I'm here!" Madison chirruped, as if everyone would be relieved to know that she was.
Maura couldn't concentrate on the roll. She was too busy thinking about all of the horrible things Madison and her clique would do and say to her once they went out into the woods where no one would see them.
   "Where no one would see them." Maura repeated the thought to herself. She could finally escape from all of the tortures that summer camp forced her to go through!
   "Candace Smith?" One of Madison's followers.
   "Right here, Mrs. Collins!" Candace waved her hand in the air as if her announcement didn't make it clear enough that she was, indeed, here.
   If Maura ran fast enough, she might be able to make it to the highway before any one even noticed that she was gone, not that they would care. She already had all of her equiptment with her, and it would be enough to survive on for weeks. She wouldn't even be out in the woods that lon-
   "MIss Hill? Are you paying attention?" Maura was snapped away from her fantasies of escape by the director's, well, direct question.
   "Alright, now that the roll's complete, let's get the game started. Is anyone unclear of the rules? When no one responded, the director dismissed everyone to their places.
   Maura immediantly pushed towards the woods. Apparently, her 'lack of shoe style' was indeed helpful, her tennis shoes providing easy access for her over tree roots and pebbles. Shew winced as she thought of what might happen to her if she had worn high heels.
   As Maura broke through the tree line, she cleared all rational and irrational thoughts out of her head. All she focused on was her feet carrying her and her backpack out of range of Madison and the other cabin girls.
***
   Right as Maura started to think clearly again, she realized that the sky was turning darker. Panic and adreniline started to pump through her veins as she thought of all the dangers the night time would bring her in the forest.
   It had been hours of tireless trekking and there were still no signs of the highway in which her plans were based around. A coyote howled in the distance as she sat down, back against a tree.
   Eaten by a coyote, mauled by a bear, or attacked by something much more dangerous and a bit more mythical. Maura mentally listed all of the horrible things that could happen to her.
   As her first tear of regret fell onto the forest floor, maura had an epiphany. What is the first thing you would do in a video game to survive the night from monsters? Maura picked herself up and started to plan out in her mind how to make a decent shelter.
   Maura walked around the still darkening forest and collected sticks and tree sap. When she had all that her tiny arms could carry, she went back to the tree she had been sitting in front of. She stuck the larger sticks into the ground anround the tree to make a fence, and then she pulled a tent out of her bag.
***
   Once she was all settled into her tent, Maura leaned her bag against the plastic wall, and pulled out some food. She greedily shoved the small slices of cheese and crackers into her mouth. All the hard work that she had done that day made her absolutely starving.
   By the time she had had her fill on food, she heard a twig crack a few yards away from the enterance of her tent. Maura's heart stopped. Then it violently restarted. Something had smelled her food, and now it was coming to get some.
   Maura shakily opened her tent door a crack and peeped out. the forest was pitch black, and she could barely see anything. She stuck her head back into the tent and closed the opening. Then, she reached over and turned off her lantern, as to not turn anything's attention to her tent.
   She knew it could very well be her imagination acting up on her from all the fear, but she thought she could hear a set of padding feet outside of her tent. Maura held her breath out shakily let it back out. Another coyote howl sounded in the distance.
   She never should have run away from camp. She should be in her bed, secretly reading after curfew, while trying to block out the sound of Madison snoring in the bunk abouve her. She should have stayed.
   Now she knew it wasn't her imagination. From behind teary eyes, Maura could see the silhouette of a wolf on the wall of her tent. She said a silent player.
   She knew that she shouldn't, but she reached out and grabbed that opening of the tent and slightly pulled it back. As soon as she did, she let out a scream as a hairy face poked through the tent door and flashed it's teeth.
***
   Maura knew she had returned to conciousness because a harsh light was making red spots on the back of her eyelids, much too unpleasant for a dream. When she inhaled, she got the distinct scent of a dentist office.
   She felt unfamiliar clothing rub against her skin as she tried to prop herself up. When she immediantly fell back onto the hospital bed, she opened her eyes.
   Maura was being wheeled down a white hallway, and loud but blurry voices were saying something about an operation. Then one of the doctors noticed she was awake.
   "Oh thank goodness you're awake." Said a worried female voice. "You should be getting pretty sleepy about now even though you've just woken up. We game you some medicine to help you sleep while we fix you up."
   Maura wasn't a clueless child. She knew that they had drugged her so she wouldn't feel any pain during the surgery she was on her way to.
   She winced as a bolt of pain shot across her face. She put a hand to her cheek to feel a bumpy line going across your face.
   The next thing she knew, she was slipping into unconciousness again. All she could think about was how happy she was that someone had found her, and how relieved she was that she was going to be okay.
   Then, blackness.